Art Sciences is a double-blind peer-reviewed, open-access journal that provides a platform for scholarly dialogue and the dissemination of original research in the various fields of art studies. The journal aims to explore and expand the understanding of art from a multitude of perspectives, encompassing theoretical, practical, historical, and interdisciplinary approaches. Our goal is to contribute significantly to the academic and cultural discussions surrounding the arts.
Postpartum Recovery Garments: A Systematic Scoping Review Integrating Ergonomics and User-Centered Design
With a focus on ergonomics and user-centered design, this study aims to systematically examine the literature on postpartum recovery clothing and related functional wear. A comprehensive scoping review of papers published between 2005 and 2025 was conducted using a number of databases, including Scopus, Web of Science, ScienceDirect, SpringerLink, PubMed, Google Scholar, and CNKI. 53 studies were included using a methodical screening procedure. The findings were categorized into five major themes: user-centered design and wear experience; ergonomic considerations in the design of functional clothing; compression garments and support systems; changes in the body following childbirth and the need for recuperation; methodological limitations and evidence gaps. The results show that there is little integration between ergonomic analysis and user-centered assessment in the clinical, physiological, and design domains of current research. An integrated conceptual framework that links body shape, ergonomic requirements, compression and material selections, garment structure, and user feedback in a self-replicating design process is proposed to close this gap. By providing direction for future interdisciplinary research and practice, this study contributes to the development of a more systematic and evidence-based framework for postpartum recovery clothing design.
postpartum recovery garments, ergonomics, user-centered design, compression garments, functional apparel
Copyright (c) 2026 Yurong Lin, Nurul Azlen binti Hanifah, Lei Yin (Author) https://creativecommons.org/licenses/by/4.0
Fuzzy AHP Method for Comprehensive Valuation of Sustainable Urban River Landscapes in BAXI Bay
The evaluation of urban river landscapes faces the challenge of minimizing subjective bias while integrating ecological, social, and visual factors. This study developed an evaluation model combining the Analytic Hierarchy Process (AHP) and the Fuzzy Comprehensive Evaluation (FCE) method, and applied it to the Baxi Bay River in Yong’an City, Fujian Province. An evaluation system comprising 12 indicators across ecological, aesthetic, and social dimensions was established. The weights of each indicator were determined using AHP, and the membership scores for the Baxiwan River landscape were calculated using FCE. The results indicate that ecological factors dominate (63.34%), surpassing landscape aesthetics (26.05%) and social factors (10.61%). Among the indicator layers, river flow had the highest individual weight (0.38). Overall, the Baxiwan River received a landscape score of 70.6, corresponding to Grade 3 (moderate). Specifically, aesthetic factors averaged 67.34 points (Grade 2), ecological factors scored 70.5 points (Grade 3), and social factors scored 72.23 points (Grade 3). The recreational function received the highest score (85.9), while historical and cultural characteristics received the lowest score (58.5). The AHP-FCE model provides a systematic quantitative method for evaluating urban river landscapes, offering a theoretical basis and decision support for enhancing ecological functions and cultural integration.
AHP, fuzzy comprehensive evaluation, urban landscape evaluation, sustainable urban river management
Copyright (c) 2026 Xunrui Fan, Nurul Azlen binti Hanifah (Author) https://creativecommons.org/licenses/by/4.0
Research on the Gold Necklace Unearthed from the Tomb of Li Jingxun of the Sui Dynasty
The gold necklace and bracelet unearthed from the Sui Dynasty tomb of Li Jingxun exhibit profound exotic characteristics, making them a focal point of debate regarding Silk Road art provenance. While previous studies have proposed Persian, Byzantine, or Indian origins based on fragmented stylistic similarities, this paper re-evaluates these artifacts by integrating archaeological, material, iconographic, and historical contexts. By examining the Li family’s Xianbei heritage and their integration into the “Hu” (foreign) cultural sphere, this study contextualizes the artifacts within ancient globalization. Through a detailed comparative analysis of materials (gemstones and pearls), techniques (polyhedral beads), stylistic structures, and symbolic iconography (intaglio deer and the Great Goddess/tree motif), this research argues that the jewelry likely originated from the Sogdia or Bactria regions. The findings suggest that these artifacts are products of Central Asian craftsmen utilizing extensive Silk Road trade networks, intentionally acquired by elite patrons whose cross-cultural backgrounds allowed them to decode and appreciate the fertility and protective symbolism embedded in the jewelry.
Li Jingxun tomb, gold necklace, Silk Road art, Sogdian culture, ancient jewelry, Sui Dynasty
Copyright (c) 2026 Bihan Liu (Author) https://creativecommons.org/licenses/by/4.0
The Value Expansion of Collaborative Piano in College Education - Taking the Teaching Practice of “The Sea-Sky Book” As An Example
This paper focuses on the functional evolution and value redefinition of collaborative piano within the context of holistic education in higher institutions. Using the teaching practice of the symphonic song The Sea-Sky Book as a case study, it argues that collaborative piano should not be confined to traditional accompaniment or technical performance guidance. Instead, it ought to integrate deeply with literary interpretation, historical contextualization, and cultural value elucidation, thereby serving as an interdisciplinary pedagogical nexus and central vehicle that connects musical practice, humanistic literacy, and value cultivation. Through detailed analysis of the musical translation of poetic imagery, the construction of emotional narrative, and the artistic expression of maritime sovereignty consciousness in The Sea-Sky Book, this study proposes a tripartite pedagogical model-”literature-music-critical thinking”-that collaborative piano can implement in university curricula. The research offers practical references and theoretical insights for the deeper integration of artistic specialty courses and ideological-political education within the aesthetic education framework of higher education.
collaborative piano, curriculum-based holistic education, The Sea-Sky Book, poetry-music integration, cultural interpretation, aesthetic education in higher institutions
Copyright (c) 2026 Fangya Huang, Yuwen Huang (Author) https://creativecommons.org/licenses/by/4.0
AIGC-Era Artistic Democratization: The Lowering of Technical Barriers by AI Art Creation Tools and the Reshaping of Mass Participation in Art
Artificial intelligence technology is advancing rapidly, with AIGC (Artificial Intelligence Generated Content) becoming a key driver of transformation in art creation. Based on intersubjectivity theory, this paper explores how AI art creation technologies break traditional artistic barriers and realize artistic democratization, focusing on the shift from elite-dominated to mass-participatory creation. It elaborates on the technical principles, practical applications, and social impacts of AI art creation to reveal pathways for reshaping public participation. Research results show that AI art creation’s dual value lies in reducing creative technical thresholds and establishing a new artistic value system based on distributed human-machine symbiotic creativity. Practically, it transcends the limitations of carbon-based lifeforms through silicon-based machine characteristics. This paper emphasizes that AI art creation is progressive, promotes artistic democratization, and makes art a shared cultural activity for all.
AIGC, artistic democratization, mass participation, cultural popularization, intersubjectivity
Copyright (c) 2026 Yujia Yang (Author) https://creativecommons.org/licenses/by/4.0
The Underground Phenomenon of Homoerotic Fan Culture in China
Film fandom culture persists alongside audience viewing practices, whether in cinemas or at home. Although the tradition of fans creating art and texts based on source material has a long history, such creations do not merely uncover implicit meanings or double entendres within the work; they also provide imaginative space for the fans themselves. This phenomenon is particularly pronounced within homoerotic fan cultures. While fan culture is a global phenomenon, it holds specific significance in China: state control and censorship have driven it underground. This dissertation analyzes the phenomenon through the dimensions of textual production, textual consumption, and celebrity effect. By examining film fandom culture, it aims to demonstrate how the production and consumption of texts within homoerotic fandoms contribute to enhancing societal understanding of homoerotic culture and IP films, thereby promoting the commercialization of IP films and the development of the homoerotic fan economy.
homoerotic fan culture in China, films, text production, text consumption, celebrities and stars, IP consumption
Copyright (c) 2025 Yuyu Hu (Author) https://creativecommons.org/licenses/by/4.0
Strategies for Integrating Technical Precision and Artistic Expression in Piano Performance
From the dual perspectives of piano performance practice and pedagogy, this paper systematically examines strategies for the mutual integration and coordination of technical precision and artistic expression in piano playing. By combining literature review, theoretical analysis, and case studies, we first trace the historical development of piano technique and the current state of research on artistic interpretation. Then, drawing on music performance studies and cognitive psychology, we reveal the roles of motor memory, mind–body coordination, and other factors in performance. Based on these insights, we propose a series of technical training methods (such as foundational exercises, fingering and touch control, and precision in rhythm and dynamics) alongside strategies for enhancing artistry (including structural analysis, imagery cultivation, stylistic understanding, and stage presentation). We also design a phased, integrated practice scheme that links technical mastery, artistic expression, and their fusion. Comparative case studies of emerging pianists and seasoned artists demonstrate that these strategies effectively enhance performers’ expressive power and stage presence. The findings offer a systematic reference framework for piano teachers and performers, promoting deeper integration and innovative development of technique and artistry.
piano performance, technical precision, artistic expression, integration strategies, mind–body coordination
Copyright (c) 2025 Xiaofeng Zheng (Author) https://creativecommons.org/licenses/by/4.0
Research on Ancient Ceramic Restoration Techniques for the Protection of Cultural Relics
Ancient ceramics carry the genes of Chinese civilization, and their restoration techniques are the key bridge to continue historical memory and achieve a dialogue across time and space. With the deepening of the concept of cultural relics protection, restoration work has shifted from simple technical restoration to a systematic project that takes into account both historical authenticity and aesthetic value. However, traditional techniques face challenges such as material aging and the break of inheritance. Although modern technologies can improve precision, they tend to sever the cultural and humanistic attributes of cultural relics. How to balance science and humanism and integrate traditional experience with innovative means has become the current research focus. The restoration practices of classic cases such as the Ming Chenghua polychrome porcelain without red and Xuande blue-and-white porcelain reveal the necessity of parallel technological innovation and ethical adherence.
cultural heritage protection, ancient ceramics, restoration techniques, traditional crafts, application of science and technology
Copyright (c) 2025 Xijing Zhang (Author) https://creativecommons.org/licenses/by/4.0
Human-AI Collaboration: Paradigm Shifts in Technology-Mediated Design
The rapid advancement of artificial intelligence (AI) is catalyzing a transformative paradigm shift in design. Beyond altering designers' workflows, AI is reshaping the very foundations of creative processes and enabling new forms of human-AI collaboration. This study examines technology-mediated design innovations through empirical case analyses, elucidating AI's role in advancing the field and redefining collaborative dynamics between humans and intelligent systems. Key findings reveal that AI enhances design efficacy through three principal mechanisms: automation, personalization, and intelligent optimization-collectively contributing to improved productivity, creativity, and user engagement. Nevertheless, these technological strides present emergent challenges, notably the evolving professional identity of designers, the reconfiguration of creative agency, and unresolved ethical dilemmas. By critically evaluating the capabilities and limitations of human-AI collaboration, this work provides design scholars and practitioners with a balanced perspective on the opportunities and risks of technology-mediated design innovation.
Copyright (c) 2025 Xu Zhang, Yixuan Zhou (Author) https://creativecommons.org/licenses/by/4.0
Corelli’s Concerti Grossi, Opus VI: Bridging Tradition and Innovation in the Baroque Concerto
This paper explores the significance of Arcangelo Corelli's Concerti Grossi, Opus VI, in the development of the concerto form during the Baroque period. Its primary purpose is to analyze how Corelli's Concerti Grossi influenced the structure and style of subsequent instrumental compositions, particularly within the concerto genre. The research method includes a historical and stylistic analysis of the work, drawing on musical scores and secondary literature, such as the studies by Marc Pincherle and Peter Allsop, to assess Corelli’s contributions to music theory. And the data reviewed focuses on the musical structure, particularly the alternation of fast and slow movements, the incorporation of French and Italian stylistic elements, and the role of instruments such as the viola. Key findings suggest that Corelli’s Concerti Grossi were pivotal in shaping modern concerto forms, blending influences from both Italian opera and French music, while also showcasing innovations in orchestration, expressly through the use of the viola. Moreover, Corelli’s work laid a foundation for future composers like Bach and Vivaldi. This paper concludes that Opus VI represents a crucial turning point in the evolution of the concerto, combining traditional structures with innovative approaches that significantly impacted the Baroque music landscape.
Arcangelo Corelli, Concerti Grossi, Opus VI, Baroque concerto form
Copyright (c) 2025 Adrian Yuzhe Wang (Author) https://creativecommons.org/licenses/by/4.0
Chopin’s Nocture Style in the Romantic Period: A Case Study of Nocture Op.9 No.1
Nocturne had a great development in the Romantic period of the 19th century. Chopin, as a typical representative of the Romantic period, pushed the development of nocturne to a new climax. His works have a very high artistic value and are a precious artistic heritage for future generations. Chopin has made great contributions to the development of romantic music. Therefore, Chopin's works have left a lot of places worth exploring and studying, which has had a profound influence on the development of Western music. This paper will be based on the general situation of romantic music, starting from Chopin's life and creation process, through the analysis of Chopin's “Nocturnica Op.9 No.1” piano works as the theme of detailed discussion, from the music melody style, touch keys, pedal use and music emotional expression, to grasp the style of the work and processing. The performance skills in the works and rich artistic expression show. By understanding the musical style and artistic characteristics of the Romantic period, we can further grasp the style and treatment of Chopin's works, and apply his performance personality to Chopin's other music works, so as to improve the level of performers' playing skills, restore the musical emotional expression that the composer wants to convey to the audience, and improve the performance of music.
emotional communication; work processing; the art of performance; Nocturnes by Chopin
Copyright (c) 2024 Xiaoqing Pan (Author) https://creativecommons.org/licenses/by/4.0