From the Evolution of the “Flying Apsaras” Art in the Mogao Caves, the Influence of Taoism on Dunhuang Culture Observe
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Keywords
flying apsaras, Dunhuang, Taoism
Abstract
Dunhuang is located at the western end of the Hexi Corridor in Gansu, China. It is an important gateway on the ancient Silk Road and a treasure trove of cultural exchange. Among them, the Mogao Caves in Dunhuang are renowned for their large number of extant murals, which vividly illustrate the changes in Buddhist Flying Apsaras art after its introduction to China and the characteristics of Taoist elements. This article, through reviewing Dunhuang literature and referring to previous research, compares the changes in elements of flying apsaras across different periods, aiming to explore the process of Sinicization of flying apsaras and the influence of Taoism on Dunhuang culture from the existing flying apsaras murals in the Mogao Caves. The research results indicate that Taoism has had a profound impact on the artistic style of Dunhuang culture, enriching its connotation. It is suggested that future research should delve deeper into cultural heritage with Taoist elements in the extant Dunhuang art and enhance the understanding of Taoism's influence in the Dunhuang region.
References
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