From Pictographs to Stickers: A Study on the Visual Translation of Oracle Bone Script Characters in the Context of Contemporary Sticker Packs

Main Article Content

Wenya Xu

Keywords

Oracle Bone Script, sticker packs, visual translation

Abstract

This study focuses on the visual translation pathways of Oracle Bone Script (OBS) characters in contemporary sticker pack design, aiming to explore the mechanisms and possibilities of integrating traditional cultural symbols into the context of digital visual communication. As the early form of Chinese characters, Oracle Bone Script contains rich visual genes. However, in the context of contemporary digital sticker pack dissemination, it lacks systematic visual translation pathways and methodological references. To address this, the study first reviews the configurational features of Oracle Bone Script and the contextual characteristics of sticker packs to clarify the adaptation conditions for translation. Taking 15 sticker packs from the “Oracle Bone People’s Daily Life” series as design practice cases, the study explores specific visual translation methods through the workflow of “corpus positioning — ancient character verification — strategic translation — dynamic realization,” and preliminarily verifies the design effectiveness through multi-dimensional evaluations by 50 users. The research finds that the visual components of Oracle Bone Script possess a certain degree of adaptability in modern semantic expression. Through multi-level translation strategies, the meaning reconstruction of ancient script symbols in contemporary contexts can be achieved. The methodological pathway developed in this study provides reference value for the modern translation of other traditional visual resources. The significance of the research lies in providing an operable design approach and theoretical reference for the digital innovative dissemination of traditional cultural elements.

Abstract 24 | PDF Downloads 22

References

  • [1] Xu, F. C. (2006). Evolution of Chinese character formation from the perspective of oracle bone inscriptions. General of the College of Liberal Arts of National Taiwan University, (64), 213-242.
  • [2] Hu, Y. R. (2018). Semiotic Darwinism and its reflection: A semiotic analysis based on the evolution ecology of Chinese characters. Journal of Lanzhou University (Social Sciences), 46(03), 158-166.
  • [3] Qu, J. R., & Li, Y. P. (2018). Memes as “image acts”: Symbols, rhetoric and discourse. Editorial Friend, (10), 45-50.
  • [4] Wang, J. H. (2023). Grammar, rhetoric and context: An analysis of the discourse production path of memes. Youth Journalist, (20), 64-67.
  • [5] Lin, L. (2024). The new language of new media: A study on the communication scenes and social implications of memes (Master’s thesis). Fujian Normal University.
  • [6] Yang, J. (2024). Research on the design strategy of text-based memes for internet slang (Master’s thesis). Anhui Polytechnic University.
  • [7] Wang, S. Z. (2020). On the conflict and fusion of network culture and traditional culture. Public Relations World, (24), 57-58.
  • [8] He, P. Y., & Li, W. J. (2025). Research on the inheritance and innovative application of oracle bone elements in Chinese character design. Art Education, (21), 215-218.